“From antiquity and far into modern times the perception of the interconnection between art and nature was defined by hierarchical hypotheses. At first nature was a model, an archetype for artistic inspiration; then it transformed into a replica, emulated by art and enabled through critical dialogs regarding the subject of nature and the sublime ”
“Our perception of nature is nothing else but a composition of cultural intervention and preservation, contingent upon epistemological conditions that we, the contemporary society, constantly construct, deconstruct and reconstruct – in the finest fashion of the seemingly never-ending postmodernist Möbius strip.”
“The materialization of nature has thus always been at the core of human progression. The subsequent transition into the visual arts was always preassigned. It only required a catalyst in form of a philosophical rethinking and the motivation to approach the idea of nature from non-linear, non hierarchical but instead interwoven, rhizomatic positions.”